An annual academic yearly journal devoted to the study of medieval art, Codex Aquilarensis: Revista de arte medieval has updated and perfected its scholarly profile. Drawing on a prestigious position in Spanish scientific literature, Codex Aquilarensis aims gradually to assume an outstanding position in the international panorama of medieval art history journals; and, to expand its scope, it welcomes contributions from authors writing about any topic related to medieval art and visual culture, including studies written in languages other than Spanish. The journal will accept unpublished essays analyzing the processes and protagonists of the artistic production of the Middle Ages, as well as its visual and written reception in medieval societies and beyond. It also welcomes papers about the visual products of cultural interactions generated within medieval societies. Codex Aquilarensisintends also to contribute to the historiographical debates that currently attract the attention of readers and researchers around the world. A primary focus is on the development and experience of medieval images and spaces and the dynamics of images in their monumental contexts, in particular, studies focused on medieval visual culture and the functional organization of places of worship during the period from the seventh to sixteenth centuries. To advance these such exciting questions and historiographical debates, the journal values papers that include diverse intellectual perspectives and current methodological approaches, such as semiotic (enquiring into the intersections between text and images), cultural anthropology, critical theory, and the history of cultural representations.

• Gerardo Boto Varela - Director / Editor (Profesor titular de Arte medieval. Universidad de Girona-Spain)
• Alejandro García Avilés - Editor adjunto / Assistant Editor (Catedrático de Historia del Arte medieval. Universidad de Murcia-Spain)
• Herbert Kessler - Editor adjunto / Assistant Editor (Catedrático de Historia del Arte medieval-Johns Hopkins University. Baltimore-USA)
• Pedro Luis Huerta Huerta - Coordinador editorial / Editorial Assistant and Office Coordinator (FSMR-Spain)

• Michele Bacci (Catedrático de Historia del Arte medieval. Université de Fribourg-Switzerland)
• Jérôme Baschet (Director de investigación. Universidad Autónoma de Chiapas)
• Susana Calvo Capilla (Profesora titular de Historia del Arte. Universidad Complutense, Madrid-Spain)
• Rafael Cómez Ramos (Catedrático de Historia del Arte medieval. Universidad de Sevilla-Spain)
• Vincent Debiais (Catedrático de Investigación. EHESS-CNRS, París-France)
• Miguel Falomir Faus (Director del Museo del Prado-Spain)
• Clara Fernández-Ladreda Aguadé (Profesora agregada de Arte medieval. Universidad de Navarra-Spain)
• Beate Fricke (Catedrática de Historia del Arte medieval. Universität Basel-Switzerland)
• Jeffrey Hamburger (Catedrático Kuno Francke. Harvard University-USA)
• María Victoria Hérraez (Catedrática de Historia del Arte medieval. Universidad de León-Spain)
• Aden Kumler (Catedrática de Historia del Arte medieval. Universität Basel-Switzerland)
• Javier Martínez de Aguirre y Aldaz (Catedrático de Historia del Arte medieval. Universidad Complutense de Madrid-Spain)
• Joan Molina Figueras (Conservador Jefe de Pintura Gótica Española del Museo Nacional del Prado-Spain)
• Marta Serrano Coll (Profesora titular de Historia del Arte. Universidad Rovira i Virgili. Tarragona-Spain)
• Eric Palazzo (Catedrático de Historia del Arte medieval. Université de Poitiers. Centre d’Études Supérieures de Civilisation Médiévale-France)
• Amadeo Serra Desfilis (Catédratico de Historia del Arte medieval. Universidad de Valencia-Spain)
• Rocío Sánchez Ameijerias (Catedrática de Historia del Arte medieval. Universidad de Santiago de Compostela-Spain)
• Jean-Claude Schmitt (Catedrático y Director de investigación. École d’Hautes Études en Sciences Sociales-Group d’Anthropologie Historique de l’Occident Médiéval, París-France.)